Tag Archives: martyna starosta
Stories of police brutality are often told in a way that casts victims as helpless bystanders of cops run amok. We met with Sean Pagan, a recent victim of police violence, and found that his story changes how we think about policing in New York. Sean’s story shows that communities are finding new and innovative tactics for dealing with discriminatory policing, beyond waiting for legislative reform. One such tactic is copwatch, where individuals or teams film officers making arrests. But what’s the history of the tactic? What are the risks, limitations and impact of filming the police? And how do these videos change the way we understand narratives of police violence?
This Project was made by Some Feminists in Your Neighborhood:
Some Feminists in Your Neighborhood is a group of women joined together through the mutual experience of patriarchy in supposedly radical political collectives and contexts. Together we have overcome our complicity in the abusive structures in which we were participants, found the solidarity that enabled us to object, and developed the means necessary to destroy those structures—through the castration performed by our withdrawal. We are now working on re-composition as we experiment with ways to struggle with one another that do not reproduce the patriarchy from which we separated. Our contribution to FUSE documents phases of the political process as they have appeared to us. Our names are Colleen Asper, Maria Byck, Marika Kandelaki, Sunita Prasad and Martyna Starosta.
FUSE is a Toronto-based arts and culture quarterly that publishes at the intersection of contemporary art and social justice. The current theme is ABOLITION. The print edition of FUSE 35-3/ABOLITION contains 2 images from this collective project.
Crash-course with Martyna Starosta
Saturday, April 7 from 4pm to 5.30pm
Trade School at Chuchifritos, 120 Essex Street, New York
Sign up: here
The interview is not a defined method, it’s an exciting way to create social relationships.
Do you interview strangers, family members, friends, experts, celebrities, role-models, enemies?
Do you interview them on the street? In their kitchens? In their workplaces? In a studio? In a park? In a car? In a dinner?
Do you ask questions to understand the decisions of a character? To investigate the complexities of a social conflict? To find evidence for a crime? To reveal the hypocrisy of those in power? To question your own position as a media-maker? To provide clarity? To create confusion? To raise new questions?
We will brainstorm different interview goals and collaborate on developing the most effective ways to face these challenges.
For people who make films, produce podcasts, practice journalism, facilitate discussions, conduct research, teach interactions. And for everybody who wants to contribute to this entertaining learning experience.
Can Witnesses Speak? – On the Philosophy of The Interview by Hito Steyerl
Power and Justice as Unlimited Resources
[22 minutes, New York 2011]
Kat and Milo share insights in the work of the volunteer run collective Support New York. The collective is dedicated to heal the effects of sexual assault and abuse within the radical community. Support New York focuses on meeting the needs of the survivor, and holding accountable those who have perpetrated harm. The volunteers also strive for a larger dialog within the community about consent, mutual aid, and challenging the society’s narrow definition of abuse.
Even though Support New York operates within a narrow local radius, it can serve as an inspiring case study of community empowerment and transformative justice.
Kat and Milo start of by defining the most important terms used by Support New York such as – survivor, perpetrator, abuse, calling out, and process. Their thoughtful reflections on these definitions always point out to the larger concept of transformative justice.
We discuss the surprisingly persistent figure of the “anarchist hero” and the reasons why groups who deal with anti-oppression work oftentimes replicate oppressive behavior themselves. Later, we dig into the concrete methods that Support New York employs to confront these harmful patterns:
What are the specific demands of survivors? What kind of demands are realistic? How does Support New York deal with revenge phantasies? What are the possibilities to involve perpetrators in a successful process? What are the limitations? How long does a process take? How does a typical scenario look like? …
[Notes on The Idiots by Lars von Trier, Denmark 1998]
It is my turn to go home and to see if I can be an idiot there.
I was trying to revisit cinematic moments of solidarity between women. Complicit exchange of glances between women. This is not an easy task. They way films usually construct ‘women’ – is as isolated individuals who are too busy in competing in ‘being looked at’ to become interested in looking at each other.
Tracing eye contact between women throughout film history requires detective work.
The first scene that came to my mind was the last sequence of The Idiots: The complicity between Karen and Susanne as an act of sabotage against the obscene family setting.
Occupy Cuny #1
[8 minutes, New York 2011]
In collaboration with Iva Rad
In 1969, a group of black and Puerto Rican students occupied City College demanding the integration of CUNY, which at the time had an overwhelmingly white student body. The occupation spread to other CUNY campuses, forcing the Board of Trustees to implement a ground-breaking new admissions policy.
Such occupations also occurred in the 1980s and 2000s.
It’s that time again.
As graduate Film students at Hunter College in New York, we’re very excited to see how the spreading Occupy Wall Street movement is giving new momentum to the militant protest culture of CUNY (City University, NYC).
We filmed the second General Assembly at Hunter College, and the first Occupy CUNY teach-in at Washington Square Park on October 21st, 2011.
During the last weeks, we learned how quickly small protest gatherings can turn into new social movements. This is a document about the struggle of students and adjunct faculty at Cuny.
This local struggle is part of an international student movement against neoliberal dictatorship. This is only the beginning. The time for action is now.
Anthology Film Archive (NYC), CUFF 2012 – City University Film Festival (NYC)
[8 minutes, New York 2011]
The following recordings combines two different protests which occurred within 24 hours. One protest was announced and failed. The other protest was unpredicted and successful. I don’t know if you can hear the difference between failure and success. I believe that the different energy levels are audible. But don’t trust me. I am speaking to you as a participant, not as a docummentarian.
For this piece, I combined field recordings from two different marches of the Occupy Wall Street movement. Both marches happened during the International Day of Rage on October 15, 2011.
The sound bites depict the highly emotionalized temperature of crowds. I decided to contrast them with a personal narration which adds analytical reflection to the field recordings.
I want to play with two time layers: The spontaneity of the crowd as it is trying to act as one body in present tense, and the individual voice that attempts to revisit sound memories after the march has occured.
The People’s Production House
Iva Radivojević & Martyna Starosta participate in a panel
on the Role of Independent Media
Brooklyn Filmmakers Collective presents:
October 20th, 7:30pm
388 Atlantic Avenue Brooklyn
In just under three weeks over 10,000 videos about Occupy Wall Street have been created and uploaded online. These videos – revealing police excess, marches, general assemblies and more formal documentaries covering the nature and processes of the movement – are helping to activate and proliferate the movement worldwide.
The Brooklyn Filmmakers Collective will host a discussion and screening looking at the practice and theory of covering a social movement through video. Four of the most viewed videos from Occupy Wall Street (with over 600,500 views to date) will be presented by the Brooklyn filmmakers who created them.
Guest moderator Martin Lucas, director of the Integrated Media Arts MFA program at Hunter College and a senior fellow at the Center for Health Media Policy, will lead a discussion on the role of video in social movements, the coverage of Occupy Wall Street, and the potential challenges of the overwhelming amount of media coming out of Occupy Wall Street today.
Nobody Can Predict The Moment Of Revolution by Iva Radivojevic & Martyna Starosta, 8 min
Right Here All Over by Alex Mallis, Lily Henderson & Ed David, 7 min
@OccupyTheHood, Occupy Wall Street by Adele Pham, 3 min
Consensus by Meerkat Media Collective, 8 min
Occupy Wall Street #2
[8 minutes, New York 2011]
In collaboration with Iva Rad
We the people have found our voice.
(NYC General Assembly, September 27, 2011)
If it’s our sharing that makes us powerful, why return to normal?
This life is more worth living than the one we left behind.
(Anonymous leaflet, Solidarity March with Occupy Wall Street, October 5, 2011)
How do our voices of dissent encounter each other?
Do we really want to merge our raging cacophony into a unified political agenda?
What if the voice of the people is always in a mode of becoming?
Welcome to the hidden track of Occupy Wall Street:
We are discovering new ways in which our desires can resonate together.
This space is our sonogram of potential.
Union Docs – organized by Rooftopfilms (NYC), ONE WORLD BERLIN Film Festival for for Human Rights and Media – Arsenal Kino (Germany)
99% Videos, European Platform for Progressive Politics, Free Speech TV, Harper’s Magazine, The Hunter Envoy, The Filmmaker Magazine, The Polis, Truth Media TV, Reflections of a Revolution, Occupy Videos, Weltnetz TV
Soon on the DVD “Mic Check” – an anthology of short documentaries on Occupy Wall Street. Distributed by the Media Education Foundation.